Fredonia NY - With a few minutes to spare I am coming up for air for a short post as Rocky Horror prepares to open this coming Friday. I left town on Thur. to visit my daughter who lives in the Boston area, spent Friday and Saturday touring Walden Pond, the King Richard Renaissance Faire, and getting cars repaired, and drove back Sunday for first tech. Since Sunday night I have been leaving the theatre at about midnight and getting back to work at about 10AM.
I am continually amazed at how much energy and peoplepower it takes to put on a full-scale production in a 400-seat house. Last night we actually blew a fuse somewhere, when just before the last number we were trying to run a fog chiller. It seems that, with a 9-piece band, full lights, a wireless sound system, and all sorts of other things, we still have to be careful about overloading the system.
I’ve been observing this process with a different eye, because in some sense all this is overkill. But, when you have a theatre program with so many students all seeking an opportunity to learn their stuff, you try to create as many opportunities as possible. I have a cast of 19, but I only really needed about a cast of 12. I probably only needed a band of 5, but we have 9 so as to add some horns. The set is large enough to fill a full-sized proscenium stage, with the two towers reaching 16-18 feet in the air (they tell me the bridge across the two towers is rigged to hold 3/4 of a ton of weight). You’re also trying to create a regional theatre scale production with students, because the space and capability it there. One interesting thing is that what we don’t have are stage mechanics for moving scenery, things like hydraulics and such, so every scene change has to be made by humans. The stage crew is pretty large, as we have two jackknife stages to move scenic units in and out, and a huge revolve in the center of the set to go from the castle exterior to the lab interior. So, are we doing too much, or is it just the circumstances of the space, the amount of students, the selection of show, or what, that causes so much frenetic energy towards the end? I had a brief discussion about this with some of my technical colleagues, and hopefully we can find ways to refine this process. -twl
Fredonia NY - During an all-day tech rehearsal, while designers and technicians write cues and try to get used to the new light board and such, there is a lot of time to sit and do nothing but cruise the net. So I came across this little number as I was reading Arts Journal.
This, to me, is the classic arrogance of New York City theatre - sueing another theatre company 3,000 miles away over an acronym. Two quotes from the article are particularly relevant:
“This is a bullying tactic,” said Gina Driscoll, an attorney and a member of the advisory board at Washington Ensemble Theatre. “If somebody files a federal complaint, you have to answer—and if somebody’s not in a position to fight it, they have to lie down and comply. They’ve put us between a rock and a hard place.”
“What is the state of nonprofit theater in America today,” asked Washington Ensemble Theatre member Marya Sea Kaminski, “when one theater across the country doesn’t believe we can co-exist in a national marketplace, and would rather tie up both their artists and ours in lawsuits and going to court instead of making art?”
What, indeed? -twl
Fredonia NY - While waiting for a sitzprobe of RHPS to start, I ran across this via Arts Journal. It’s a Boston Globe article about a senior at Boston Conservatory in their musical theatre program. In imitation of Isaac’s QOTD, what do you think Stephanie should do - quit and move on, or continue and get her degree? (NB - The Boston Globe link probably requires a free registration to read it. If that’s not your cup of tea, click here for a PDF link.) -twl
Dunkirk, NY - Little is more depressing in life than to come home after a tough few hours at rehearsal for a musical, then turn on the DVR and watch your team fall apart at the seams. I really do take the Yankees pretty personally at times. Sometimes it amazes me how much I have invested in them. Yesterday I had to squeeze in a nap from 3-4:30, then get to rehearsal, come home at 10, only to watch the vengeful gods of baseball unleash a plague of midges onto the field. Surreal.
Rehearsals for Rocky Horror are going along well, such as it is. I am driving the students to learn to be more specific in terms of their execution, and to execute gestures and dance steps completely and fully. It’s funny how they have no real concept of what “camp” means. The works of Charles Busch don’t have much of a ring. I am having some difficulty trying to find contemporary reference for camp, and can’t come up with anything other than the Adam West Batman series. Any help would be appreciated.
Organizing theatre reform in education has taken a back seat for me for the time being. I think during the winter break will be an ideal time for more strategizing with interested parties. Currently the average day lacks enough hours, and I admit freely and openly that at this point of my career I truly try not to overcommit myself and thereby end up having 18-hour work days. 10-12 is enough, thanks. Come November I would like to ramp up some ideas and see if they’ll take off.
Nothing else; resting today, sleeping, going to a birthday celebration later. Maybe kayaking tomorrow. A final push to opening night mixed with a fall break visit to my daughter’s house in Framingham MA. With any luck NY will be playing Boston right at that time. If not, there’s always Walden Pond. -twl
Dunkirk NY - In order to see Eric’s pictures from Russia, I had to create a Facebook account. Plus, a former student sent me an invitation. I sense convergence here….
Dunkirk NY - It’s October. That means you won’t see too much blogging over the next few weeks. Why? Here’s why:
So hopefully there won’t be too much gnashing of teeth on the lack of relevant posts. If something comes up I’ll be around, but perhaps not so eloquently. November, which will bring the darkness and the sense of hunkering down, is more conducive to writing. But not that nothing’s getting done. Ideas are being generated, discussions are being had behind the scenes about a movement to activate reform in theatre education. If you’d like more information, feel free to email me and I can fill you in. -twl